3.19.2015

The Filipino People Did Not Ask For It!



 
 
The President's numerous unpunished crimes against the Constitution continue to pile up. He commits one shameful blunder after another. The only thing that can do it is an immediate reprieve from Aquino and his regime. We need a break, some breathing space from the lunacy of it all. This is what everyone is asking for.
 
The people did not ask for it when Aquino corrupted the members of Congress by bribing them with the people’s money in order to put the State in control of the reproductive lives of Filipinos, and to impeach and remove Supreme Court Chief Justice Renato Corona in order to remove a judicial obstacle to his planned dictatorship.
 
The people did not ask for it when Aquino used Corona’s impeachment to intimidate and shake up the judiciary and take effective control of Congress, notably its power of the purse, its exclusive power to impeach, and every major legislation that called for a division of the House.
 
The people did not ask for it when Aquino siphoned off hundreds of billions of pesos from projects authorized by Congress in the General Appropriations Act and transferred them to his own projects under his so-called Disbursement Acceleration Program, without the approval of Congress.
 
The people did not ask for it, even after the Supreme Court declared the DAP and the earlier Priority Development Assistance Fund (PDAF) unconstitutional and directed the Executive Department to prosecute with reasonable dispatch all those who were involved in their manipulation and misuse.
 
The people did not ask for it when Congress enacted the 2015 P2.6 trillion budget, and restored and legalized all the discretionary lump-sum items previously voided by the Court, and redefined “savings” in order to circumvent the ruling of the Court and allow Aquino to declare as “savings” any amount in the budget anytime he wants to.
 
That is how patient (let us not say, undiscerning) our people have been with respect to the Aquino regime.
 
And then Mamasapano happened.
The death of 44 police commandos in the hands of the Moro Islamic Liberation Front, with whom Aquino had a peace agreement and a standing ceasefire, while on a lawful mission to extract two international terrorists from the area, roused the nation from its deep slumber. Aquino was in Zamboanga City monitoring the entire operation when the SAF 44 were killed, after having been denied reinforcement. He could have ordered the reinforcement, but didn’t. To the contrary, the undenied report  was that Aquino himself ordered the reinforcement to stand down. Many from the ranks of the families of the fallen 44 have denounced this as treason.
 
Suddenly it became clear to all and sundry that Aquino had become a grave danger to the nation, and that we must immediately be rid of him for our own survival.
 
 
 
 
 
 
 
 
 
 
 

5.07.2014

Nora versus Vilma in the History of Metro Manila Film Festival

 
 
 
The 1978 Metro Manila Film Festival (MMFF) will go down in the annals of history as the most talked about edition of the annual film fest.  Much has been written about the tension-filled battle for the Best Performer award  between Nora Aunor and Vilma Santos. It's now common knowledge that Nora emerged triumphant; and that Vilma was devastated  by her defeat she purportedly got so drunk and passed out. 
 
 
But Nora's victory in 1978 was just icing on the cake, so to speak.  Tracing the history of MMFF would reveal that Nora reigned supreme over her arch-rival. For 8 consecutive years--that is, from 1975 to 1982--when both actresses had their film fest entries,  Nora Aunor always got the upper hand forcing  Vilma Santos to take a backseat, almost all the time.
 

 
Let's take a comparative look at  Nora and Vilma's MMFF records:
 
*1975
NAME                RANK         ENTRY                                           TICKET SALES     
Nora Aunor            1             Batu Bato sa Langit                        P 10.9 million
Vilma Santos          7            Karugtong Ang Kahapon                 P 4.5 million
 
*1976
Nora Aunor            2            Minsa'y Isang Gamu-Gamo             P 10.5 million
Vilma Santos         10           Makahiya at Talahib                       P 1.0 million  
 
*1977
Nora Aunor            2            Bakya Mo Neneng                           P 14.0 million
Vilma Santos          1            Burlesk Queen                                 P 14.3 million 

*1978 
Nora Aunor            1             Jack 'n Jill   Third Kind                     P 20.3 million
Nora Aunor            2             Atsay                                              P 14.0 million   
Vilma Santos          5            Rubia Servios                                   P 6.5 million
 
*1979
Nora Aunor            1            Kasal-Kasalan Bahay-Bahayan         P 23.8 million
Nora Aunor            2            Ina ka ng Anak Mo                           P 18.5 million
Vilma Santos          9            Modelong Tanso                              P 1.5 million  
 
*1980
Nora Aunor            3           Kung Akoý Iiwan Mo                         P 13.8 million
Nora Aunor            5           Bona                                                 P 13.0 million
Vilma Santos          4           Langis at Tubig                                 P 13.5 million
 
*1981
Nora Aunor            2           Rock n Roll                                        P 12.8 million
Vilma Santos          9           Karma                                               P 3.0 million
 
*1982
Nora Aunor            1          Himala                                               P 35.8 million
Vilma Santos          9          Haplos                                               P 5.0 million

 
In terms of gross ticket sales, Vilma edged out Nora only once but not without controversy. Vilma romped away with the best actress award for the film Burlesk Queen.  It could have been the sole saving grace for Vilma, unfortunately, hers was a tainted  victory when the festival organizer asked [them] to return the award.
 
Nora came back with a vengeance, knocking off Vilma in every aspect of the competition. She ensured her supremacy  over her rival not just once but thrice:  Nora won the best actress awards in 1978, 1979 and 1982-- and all of her film entries were the top box-office draw.

Once and for all, Nora Aunor proved that she's the undisputed Superstar.